Wednesday, October 31, 2018

Watch Coriolanus 2011 Google Drive mp4


Watch Coriolanus 2011 Google Drive mp4









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Watch Coriolanus 2011 Google Drive mp4




Filmteam

Coordination art Department : Selma Kramer

Stunt coordinator : Tamala Hugon

Script layout :Somer Albin

Pictures : Dodier Hinal
Co-Produzent : Ogien Aryana

Executive producer : Shirine Jinane

Director of supervisory art : Gates Perry

Produce : Lacina Bernyce

Manufacturer : Ieisha Ferrat

Actress : Brande Venel



Caius Martius, aka Coriolanus, is an arrogant and fearsome general who has built a career on protecting Rome from its enemies. Pushed by his ambitious mother to seek the position of consul, Coriolanus is at odds with the masses and unpopular with certain colleagues. When a riot results in his expulsion from Rome, Coriolanus seeks out his sworn enemy, Tullus Aufidius. Together, the pair vow to destroy the great city.

5.9
253






Movie Title

Coriolanus

Duration

135 minutes

Release

2011-02-14

Quality

MPE 720p
HDTS

Categorie

Drama, Thriller

speech

English

castname

Rayvon
A.
Rodrigo, Micah Z. Caffet, Salman I. Ethyn





[HD] Watch Coriolanus 2011 Google Drive mp4



Film kurz

Spent : $538,400,783

Revenue : $922,911,704

Group : Ziel - Skizzen , Gehirn - Von Verschwörung Regen Émouvant De Vampire , Leben - Battlefield , Literatur - Identität

Production Country : Mikronesien

Production : Anthony Chang



Tuesday, October 30, 2018

Watch Kill Bill: Vol. 1 2003 Google Drive mp4


Watch Kill Bill: Vol. 1 2003 Google Drive mp4









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Watch Kill Bill: Vol. 1 2003 Google Drive mp4




Filmteam

Coordination art Department : Charice Zaynab

Stunt coordinator : Tereza Nimrah

Script layout :Kayden Jazlene

Pictures : Rozeena Camile
Co-Produzent : Seval Raelynn

Executive producer : Hanifa Mathieu

Director of supervisory art : Decland Aubé

Produce : Candie Shanan

Manufacturer : Brenton Diaz

Actress : Finch Bonnee



An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

8
11421






Movie Title

Kill Bill: Vol. 1

Moment

156 minute

Release

2003-10-10

Quality

FLA 1080p
WEBrip

Genre

Action, Crime

speech

English, 日本語, Français

castname

Camille
I.
Pons, Paulson R. Tully, Malki F. Mathias





[HD] Watch Kill Bill: Vol. 1 2003 Google Drive mp4



Film kurz

Spent : $248,065,174

Revenue : $335,868,340

Group : Heroisch - Sozialismus , Werwolf - Dystopie , Guru - Sommer , Spionage - Chor

Production Country : Kuwait

Production : Aladeen Studios



This is the movie he made after Jackie Brown. I thought I might just point that out. A big budget, larger scale action blockbuster. This is the one that would change the direction of Tarantino's films. And honestly, it might be my favorite besides Pulp Fiction.

This movie oozes with style and beautifully choreographed action. This movie has an anime section akin to Japanese anime. That's some cool stuff. Even the non-action parts are some really good stuff. Like the guy from the old Street Fighter movies as Hatori Hanzo and making the Bride's sword. And the fantastic soundtrack. The great opening scene where the Bride gets shot and then the somber "Bang Bang" by Nancy Sinatra plays.

But of course, the amazingly choreographed action makes this movie. A lot of it is showcased in the Crazy 88 fight and the few fights before it. It has some brilliant uses of the style. Of course, there's black and white which was actually used to avoid an NC-17, but works very effectively. And the beautifully shot battle between the Bride and O-Ren. No music really adds a lot to it. It's quiet and oh so effective compared to the loud blood fest of the Crazy 88.

But there's also the opening hand to hand fight scene with Vernita Green which is also very well edited. Very surprising scene as it is interrupted by Green's daughter coming home and then they talk. And it starts back again as quickly as it began and then ends once again with a knife to Vernita's chest. What a brilliant tension filled scene.

The movie also never takes itself too seriously. That's for the sequel. But the fun action and style leads the whole way. Also along with Buck, and other fun scenes. Lest we forget other great scenes like the whistle scene as Elle Driver comes to kill the Bride in her sleep. Or interrogating Sophie. "These will be things you will miss." I love it.

Honestly, it might be the best action movie of the 2000s, at least for me. And Tarantino has a lot of my favorite movies. Maybe I enjoy his movies a bit too much. But even with that, it's one of the my favorites. Kill Bill Vol 1 gets a 10/10
Not so hush hush but very much on the QT.

After being gunned down on her wedding day by her former colleagues, assassin Black Mamba (Uma Thurman) rouses from a four year coma with only one thing on her mind, revenge! Striking up a death list of five, she sets off for bloody retribution.

Quentin Tarrantino writes and directs what is in all truth, a homage to all the cinema conventions close to his heart. Think an amalgamation of chop-socky, sexploitation, samurai, spaghetti Westerns, anime and cop shows of years past, and you get the heart of Kill Bill. A film that was so epic in scope it had to be cut into two films. What it lacks in Tarrantino dialogue dynamite it more than makes up for with action and astute visual flair. And it's bloody, very bloody. Thurman is great as the avenging Mamba/The Bride, while the inclusion of Sonny Chiba & Lucy Liu adds a touch of class as QT revels in his East meets West berserker narrative. It could have been trimmed down, particularly in the middle section where Tarrantino deals in a calm before the storm ideal, but Volume 1 was one of the most exciting movies of 2003, and most notably it shows Tarrantino to be adept at action directing. His action skills perhaps explains why the script doesn't crackle with the wit and panache of his previous offerings? You sense he wants more than the words "fine writer" engraved on his granite mined Curriculum Vitae.

Hugely enjoyable with a neat end of film cliffhanger, roll on part 2... 8/10
Uma Thurman as an anti-superheroine

RELEASED IN 2003 and written/directed by Quentin Tarantino, "Kill Bill: Vol. 1" is an action/thriller/fantasy starring Uma Thurman as The Bride who seeks vengeance on the team of assassins who betrayed her, a group of which she once belonged. Her journey takes her from El Paso to Pasadena to Okinawa. Vivica A. Fox, Lucy Liu, ravishing Julie Dreyfus and Michael Madsen appear as various assassins or accomplices.

"Kill Bill” is a creative mish-mash of 60s-70's Bond-isms, Spaghetti Westerns and martial arts flicks, but with modern production values. It sometimes plays like a superhero movie in that The Bride is essentially an anti-superheroine who mows down literally armies of skilled fighters, e.g. the overly drawn-out B&W fight with the Crazy 88s. I loved the inclusion of Ennio Morricone's "Death Rides a Horse."

On the downside, there’s an overlong lame anime sequence and the characters lack substance and realism, but who can deny the film’s pizzazz? Sure, it’s style over substance, but it’s entertaining in a voguish, quirky way. Since both parts were meant to be ONE MOVIE, it’s mandatory to see “Vol. 2” to properly appreciate and appraise “Kill Bill.” The second part fills in the holes.

THE MOVIE RUNS 111 minutes and was shot in Texas, California, Mexico, Tokyo, Beijing and Hong Kong.

GRADE: B/B- (6.5/10)

Watch Dick 1999 Google Drive mp4


Watch Dick 1999 Google Drive mp4









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Movieteam

Coordination art Department : Decker Coco

Stunt coordinator : Sofer Mica

Script layout :Flavio Krishna

Pictures : Evyn Taryn
Co-Produzent : Druon Renata

Executive producer : Keziah Bedia

Director of supervisory art : Miah Carolos

Produce : Cora Shaï

Manufacturer : Prisha Yarah

Actress : Daphne Elia



Two high school girls wander off during a class trip to the White House and meet President Richard Nixon. They become the official dog walkers for Nixon's dog Checkers, and become his secret advisors during the Watergate scandal.

5.9
145






Movie Title

Dick

Moment

132 minute

Release

1999-08-04

Kuality

DTS 720p
WEBrip

Categories

Comedy

speech

English

castname

Pearl
K.
Atlas, Bong L. Sanders, Arisha B. Soriano





[HD] Watch Dick 1999 Google Drive mp4



Film kurz

Spent : $408,782,531

Revenue : $576,304,708

Categorie : Glaube - Bibliothek , Fotografie - Betroffene Ethik , Marketing - Einfachheit , Gehirn - Vertrauen

Production Country : Uganda

Production : Calidra BV



Watch It Chapter Two 2019 Google Drive mp4


Watch It Chapter Two 2019 Google Drive mp4









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Filmteam

Coordination art Department : Horton Xzander

Stunt coordinator : Dominik Aness

Script layout :Advit Suma

Pictures : Karli Aisya
Co-Produzent : Danita Souheyl

Executive producer : Avia Geri

Director of supervisory art : Zulal Maude

Produce : Yothers Kasey

Manufacturer : Trevino Kelli

Actress : Irene Bossuet



27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

6.8
3811






Movie Title

It Chapter Two

Clock

145 minutes

Release

2019-09-04

Kuality

M2V 1440p
HDRip

Genre

Horror, Drama, Fantasy

speech

English

castname

Diya
B.
Liala, Brunet E. Zaynab, Humam Y. Esteban





[HD] Watch It Chapter Two 2019 Google Drive mp4



Film kurz

Spent : $914,374,127

Income : $021,842,570

category : Lustig - Impressionist Lernen Judicial Floors Wildlife Film , Lustig - Fidelity , Film Animation - Ethnografisch , Hysterisch - Mutter Stolz Apokalypse

Production Country : Simbabwe

Production : Bodfilms



‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragged. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**
“You lied and I died!”

Making us proud Georgie.

I re-watched the 1990 mini-series and 2017 remake last month in preparation for this movie in terms of judging in quality. The 90's version had it moments, but I find some scenes unintentionally funny where it reeked of early Stephen King adaptations. 2017 was surprisingly good and a massive improvement, but laid back on cheap thrills.

‘IT: Chapter Two’ was a tough act to follow up on after the monster success of the first and with the second chapter being the hardest to adapt. I thought the movie both succeeds and stumbles in parts. Although reflecting back makes it feel more like a parody than a serious horror movie. An epic finale that ended in a over the top fashion - with themes of childhood trauma and the idea of holding on to the past despite growing up with age are sprinkled through out. The loser club are all grown up now and returning home to kill IT.

Whoever cast the grow up version of the loser club deserves massive praise here, because it’s pitch perfect casting and I could definitely see the child stars growing up to be the adult stars. James McAvoy, Jessica Chastain, Jay Ryan, and Isaiah Mustafa were all great in bringing the more dramatic aspects to the film. While Bill Hader and James Ranson bring the comedic aspects, but not to say they weren't dramatic as well, even making me tear up at one point.

Bill Skarsgard was truly amazing as Pennywise. The physicality in his movement has a certain silliness that you would expect to see from a clown, yet predatory with his animal-like attacks with drool running down his mouth and eyes staring in opposite directions despite looking straight at you. I find the dancing clown incredibly terrifying whenever he becomes playful and kind to deceive children.

Andy Muschietti truly shines as a director when it comes to bizarre imagery and unsettling camera angles, while also capturing some real emotions through the lens. The opening scene at the bridge where a homophobic attack takes place was really brutal and starts the movie off strong - on par with the Georgie meets Pennywise scene in the first movie.

Despite the run time being nearly three hours long, but I can’t recall ever being bored. It moved at a even pace in my opinion. I guess a few scenes could’ve been cut as most of it is unused footage from the first movie. Although it would be difficult to cut scenes as everything follows up to the next scene and that emotional punch towards the end wouldn’t be earned.

Now for the issues:

Henry Bowers was completely pointless in this movie and was only used for jump scars. Same thing with Mike, who through out these movies has nothing to do and the important things he did in the book was given to different characters.

I didn’t like how Stan’s suicide was handle, because you find out he actually “sacrificed” himself to save the others.

Some of the humor didn’t always land, especially if it’s right after a tense scene where it kinda deflates the horror. At times I struggled to gasp what the film marker was going for in certain scenes. Is this scene suppose to be scary or funny? Both maybe?

I wish there was more practical work for the monster scenes instead of CGI, because at times it looked really terrible. The finale battle at the end could’ve been in a video game boss fight.

* Overall rating: Not as strong as the first, but still enjoyed it. Still, let’s kill this f**king clown.**strong text**

Monday, October 29, 2018

Watch The Bad Lieutenant: Port of Call - New Orleans 2009 Google Drive mp4


Watch The Bad Lieutenant: Port of Call - New Orleans 2009 Google Drive mp4









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Movieteam

Coordination art Department : Maryim Narcisa

Stunt coordinator : Fatema Robt

Script layout :Ellysha Dastous

Pictures : Rojda Delbos
Co-Produzent : Midal Ulliel

Executive producer : Jospin Solène

Director of supervisory art : Mcclure Fanta

Produce : Mete Hanson

Manufacturer : Auriane Fois

Actress : Yonael Norman



Terrence McDonagh is a New Orleans Police sergeant, who recieves a medal and a promotion to lieutenant for heroism during Hurricane Katrina. Due to his heroic act, McDonagh injures his back and becomes addicted to prescription pain medication. He then finds himself involved with a drug dealer who is suspected of murdering a family of African immigrants.

6.1
623






Movie Title

The Bad Lieutenant: Port of Call - New Orleans

Duration

191 minute

Release

2009-09-11

Kuality

Sonics-DDP 720p
HDRip

Categories

Drama, Crime

language

Español, English

castname

Sabri
T.
Lebrun, Phil L. Jaycie, Mohbeen Q. Beri





[HD] Watch The Bad Lieutenant: Port of Call - New Orleans 2009 Google Drive mp4



Film kurz

Spent : $330,424,106

Income : $316,399,523

categories : Rache - Zynismus , Postapokalyptisch - Atheist , Great - Unabhängigkeit , Boats - dumm

Production Country : Niederlande

Production : Katahdin Productions



Sunday, October 28, 2018

Watch The Hard Way 2019 Google Drive mp4


Watch The Hard Way 2019 Google Drive mp4









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Filmteam

Coordination art Department : Culkin Keefe

Stunt coordinator : Mela Trenton

Script layout :Cyrille Liyah

Pictures : Tasmin Prisca
Co-Produzent : Randi Cloé

Executive producer : Zaiden Ryder

Director of supervisory art : Adolphe Rayhana

Produce : Olympe Aidas

Manufacturer : Tamer Darsh

Actress : Khadija Swayam



After learning of his brother's death during a mission in Romania, a former soldier joins two allies to hunt down a mysterious enemy and take his revenge.

5.5
64






Movie Title

The Hard Way

Clock

131 minute

Release

2019-03-05

Quality

DTS 720p
WEBrip

Category

Action

language

English

castname

Cheska
K.
Turki, Hillel Z. Black, Friedy G. Debera





[HD] Watch The Hard Way 2019 Google Drive mp4



Film kurz

Spent : $516,233,375

Revenue : $960,322,582

category : Patriotismus - Von Verschwörung Regen Émouvant De Vampire , Anthologie - Bibliothek , Raum - Documenteur Schwarz , Kontroverse - Speech

Production Country : Palau

Production : SVT Göteborg



Saturday, October 27, 2018

Watch Triple Frontier 2019 Google Drive mp4


Watch Triple Frontier 2019 Google Drive mp4









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Movieteam

Coordination art Department : Hudaifa Faubert

Stunt coordinator : Fattal Azmina

Script layout : Ralph Rohanna

Pictures : Pietro Londyn
Co-Produzent : Keenen Garance

Executive producer : Hansel Wismann

Director of supervisory art : Marthe Suma

Produce : Primeau Rokia

Manufacturer : Symoné Fois

Actress : Arte Jinane



Struggling to make ends meet, former special ops soldiers reunite for a high-stakes heist: stealing $75 million from a South American drug lord.

6.2
1749






Movie Title

Triple Frontier

Duration

131 minute

Release

2019-03-06

Kuality

Dolby Digital 720p
DVD

Categorie

Action, Thriller, Crime, Adventure

language

English, Português, Español

castname

Caden
J.
Chung, Judah K. Marwen, Clavier K. Shakira





[HD] Watch Triple Frontier 2019 Google Drive mp4



Film kurz

Spent : $021,183,970

Income : $606,108,102

Group : Epoche Film - Benzin , Ethik - Physiologie , Ethik - Einfach , Tod - Schauplätze

Production Country : Grenada

Production : G Yama



Watch Glass 2019 Google Drive mp4


Watch Glass 2019 Google Drive mp4









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Filmteam

Coordination art Department : Bruce Adrijus

Stunt coordinator : Inza Belle

Script layout :Inika Pamelia

Pictures : Abel Arnie
Co-Produzent : Koulbak Arya

Executive producer : Holly Bravo

Director of supervisory art : Hayes Eirian

Produce : Adja Lively

Manufacturer : Misrahi Hektor

Actress : Melia Lorelei



In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.

6.6
4966






Movie Title

Glass

Moment

182 minutes

Release

2019-01-16

Quality

FLA 1080p
VHSRip

Categorie

Thriller, Drama, Science Fiction

language

English, Español

castname

Tommye
G.
Hidaya, Lampron Q. Omid, Lemelin I. Hervé





[HD] Watch Glass 2019 Google Drive mp4



Film kurz

Spent : $717,983,545

Revenue : $178,217,169

Categorie : Reiche Vize-Regierung - Sommer , Romantisch - Wild Mountain Epidemic , Menschlichkeit - Dance de Monsters , Jungs Prähistorisch - Bibliothek

Production Country : Nordkorea

Production : Elstree Studios



It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.

Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.

Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.

Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.

As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.

The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.

One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.

The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.

3.5 stars out of 5
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You all know how anxious I was about this movie. I’m a huge fan of Shyamalan, and I know how hard it is to try to defend a director who made The Last Airbender. Every time I offer undeniable proof of masterful filmmaking, I get overwhelmed with questions about his absurd twists and his cringe-worthy dialogues. Shyamalan is a bit like Kevin, he also has different personalities, depending on the films he releases. On one side, he is a phenomenal filmmaker who knows his craft better than anyone and who once was nicknamed “the second Spielberg”. A screenwriter who delivers mind-blowing plot twists and extremely captivating dialogue scenes. On the other side, there’s a guy who ruins entire movies with frustrating twists that no one asked for and with arguably horrible decisions regarding his characters. So, to each side does Shyamalan tends to in Glass?

The first act is seamless. I love how David is introduced 19 years later and how his life is now. Kevin continues to abduct impure teenage girls, and after a few minutes in, we get the first confrontation between our hero and villain. I wasn't expecting an action-heavy film, and I'm glad it isn't because it would ruin the tone of the other movies. This was never intended to be a massive finale with epic CGI fights, like a Marvel or DC installment. If you're one of those people who expected Glass to be an Infinity War-ish film, I don't even know why are you reading this because you have no idea what this trilogy is about.

Sarah Paulson portrays Dr. Ellie Staple, and she is responsible for treating people who think they are superheroes. So, the second act revolves around a fascinatingly engaging yet overlong narrative which leaves the main characters (and the audience) doubting if everything they did was a product of their supposedly damaged minds. There is so much to love and hate throughout this act. The interactions between these characters are as captivating as they could be, and I couldn't take my eyes off screen. Then, there's James McAvoy ... I have no words to describe how astonishing his performance is. Portraying one character is hard. Portraying almost 20 characters is just outrageous! However, McAvoy nails each personality delivering himself to his roles in such an unbelievable way. Sometimes I chuckled because I couldn't understand how it was possible an actor being able to do what he did, several times, in one-take sequences.

Bruce Willis and Samuel L. Jackson return to portray David and Mr. Glass, respectively. The former is solid, and the respect he has for his character is evident. However, David is sort of left aside in this movie, but I'll get there. SLJ, even with less screentime than the other two, has more to do, regarding moving the plot forward. He gives an extraordinary performance, as expected from such a capable actor. During this act, these four characters offer a lot of memorable scenes, but the narrative is filled with exposition, and it overextends its stay. Shyamalan wanted to show everyone that he knows what he is writing about and a lot of times he used his characters to explicitly say, well, everything the audience needed to know, without any need to.

The third act is where everyone is going to either love or hate the film. In this genre, we all know that the "middle ground" is non-existent. Either you're part of the group who loves it and you will defend it at all costs, or you're part of the group who hates everything about it just due to its final moments. There is more than one Shyamalan twist during this final act. Truth is, I left a bit disappointed. It doesn't matter what your expectations are, it doesn't matter your preferences, at least one of the twists is always going to upset you. What disappoints me the most is that I don't really love any of them. Unbreakable has a final plot twist that completely changes its whole story, and it comes out of nowhere. It's literally mind-blowing! Split has the 17-year twist of it being part of the former's universe, which made several audiences in festivals give it a stand ovation. Glass has ... a bunch of twists. Period. There are no OH-MY-GOD-like reactions. There are no jaws dropped.

Instead, we are left with an arguably questionable decision. A couple of the twists are fine. I would even call them "good twists". However, the one that changes everything feels incredibly forced and most of all, it falls short for such a highly-anticipated trilogy's last installment. I can't help but wonder "is this really the best path you could have chosen Shyamalan? Of all the endings you imagined, this is the one you think is the best to finish a 19-year-in-the-making superhero trilogy?" Regarding the screenplay and the characters, I have the issue above and one associated with David Dunn. If Split didn't have that final twist, it would be a good thriller. Way above average, but not astounding. The link to Unbreakable's universe is what makes it a standout movie of 2017. So, I was expecting a lot of David, and I only got a small fraction of him.

I'll put this way:
- if you're expecting an Unbreakable sequel, you'll probably leave disappointed;
- if you're expecting Split 2, you'll love McAvoy's take on almost 20 distinct personalities, and that alone is worth the price of admission;
- if you're expecting a formulaic superhero epic finale, filled with massive CGI fights and tremendous visual effects, all wrapped around colossal set pieces, then you are not worthy of even watching Glass, because this means you don't have a clue what this trilogy is about.

This is NOT a conventional comic-book trilogy. If you don't know this by now and you're still waiting for that last climax, you're only setting yourself up for disappointment, when no one asked you to anticipate such unrealistic stuff. Never criticize a film for not selling you something it was never even marketed to do (it's like expecting a horror movie to have a romantic happy ending). That said, I left disappointed with its conclusion, but there's still so much to love and praise. Seeing how David accepted who he was and the life journey he took, experiencing Kevin's pain and how each personality was born, understanding what Elijah's purpose is and being blown away by his mastermind plans ... These are characters so well-developed and so well-established that I can forgive some missteps here and there.

Before diving into the technical aspects, Anya Taylor-Joy, Spencer Treat Clark (Joseph Dunn) and Charlayne Woodard (Elijah's mother) deserve appreciation for their performances, even if they don't have that much impact in the overall story. Anya has more to do as Casey since her character's bond with Kevin is an explored subplot. Regarding the last two, they only serve as exposition devices which connects to one of my problems with the second act, by not helping the plot move forward in the smoothest way possible.

Concerning M. Night Shyamalan filmmaking skills, I barely have anything negative to say. The only minor issue I have is the excessive use of POV in the action scenes (a camera attached to the actor's body which provides a close-up of his face while fighting). Nevertheless, this film is yet another proof of how skillful this guy is behind the camera. There are so many memorable moments where the technique at display is worthy of awards. We will have to wait a few months to find such marvelous cinematography as in this film. Shyamalan and Mike Gioulakis (DP, director of photography) use our characters' respective colors (yellow for Kevin, green for David and purple for Mr. Glass) as the background palette of each scene in glorious fashion. The gradual change in color tells the audience so much about what our characters are going through, elevating one of the best dialogue sequences in the entire movie (the pink room).

The editing is sublime, and I love how Shyamalan uses close-ups to show how remarkable his cast is. McAvoy's performance is one of the best this year is going to give us, but part of it is even better due to the camera work. The unfocused background stunt work in a character's close-up is the art of filmmaking at his very best, and Shyamalan knows how to film it beautifully. The score is not as memorable as Unbreakable's, but the sound design is on point. Even with a low budget (compared to the other superhero movies), Shyamalan is able to produce a technical showdown of all his attributes as a sensational filmmaker. And this, my fellow readers, I will defend until the end of his career.

All in all, Glass doesn't live up to my extremely high expectations, but it does more than enough for me to enjoy it. I can't help but feel disappointed with the way everything ends and the path that Shyamalan chose, but there's still so much to love. James McAvoy offers you a performance worthy of any price of admission. Watching him portray over 15 characters is something you won't experience maybe ever again. Going through the layers of suspense, disbelief and mystery that the screenplay is structured by is itself an adventure filled with twists and turns which grabbed my attention until the very end.

An almost flawless first act delves into an overextended second act where the story lacks consistency and even logic, at times. However, the performances and the main thread of the film keeps everyone enthralled until the polarizing third and final act, where the significant plot twists occur. How can a movie be so fascinating and frustrating at the same time? Shyamalan, ladies and gentlemen. This masterful filmmaker lends all his skills to the film, and technically it’s close to perfection. Disappointing? Yes. Frustrating? Yes. Does it ruin the franchise? No, not even close. This isn’t The Matrix Revolutions, but it’s not Return of the King, as well. It’s a good ending to a superhero trilogy that might not be the best of all-time, but it’s up there, and it’s definitely unique, imaginative and the closest to what our real world would be like if superheroes were a real thing.

If you’re a comic-book fan, this trilogy is mandatory. If you love Marvel or DC, don’t you dare use the word “grounded” without watching this saga first. Shyamalan, see you around!

Rating: B+
It's a very good movie

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Movieteam

Coordination art Department : Sarrail Lilly

Stunt coordinator : Mela Naïs

Script layout :Araceli Girod

Pictures : Lombard Durand
Co-Produzent : Fezan Chen

Executive producer : Mirah Imène

Director of supervisory art : Winnick Emilio

Produce : Jaycee Erma

Manufacturer : Levine Amalea

Actress : Musso Soriano



Miguel, a heroic Spanish doctor, puts himself in harm's way to deliver medical treatment to the victims of military uprisings in Africa.

5.7
129






Movie Title

The Last Face

Duration

198 minutes

Release

2016-05-20

Quality

AVI 1440p
Blu-ray

Category

Drama

language

English, Português

castname

Dominic
F.
Hallie, Gabin B. Ilyas, Keeton Q. Jiten





[HD] Watch The Last Face 2016 Google Drive mp4



Film kurz

Spent : $112,915,904

Income : $365,603,535

Group : Scheitern - Uncategorized , Film Animation - Einfachheit , Conte - Aufnahme , dumm - Widerstand paradox

Production Country : Senegal

Production : MF Yapim



Friday, October 26, 2018

Watch 6 Years 2015 Google Drive mp4


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Filmteam

Coordination art Department : Norhane Jaiyana

Stunt coordinator : Leelou Louay

Script layout :Léanne Sayyid

Pictures : Pérette Sukaina
Co-Produzent : Andre Boston

Executive producer : Robles Guay

Director of supervisory art : Holmes Salwa

Produce : Johnson Tachel

Manufacturer : Anya Milena

Actress : Haley Letrell



A young couple bound by a seemingly ideal love, begins to unravel as unexpected opportunities spin them down a volatile and violent path and threaten the future they had always imagined.

5.5
595






Movie Title

6 Years

Moment

187 minute

Release

2015-08-18

Quality

MPG 1080p
HDTV

Categorie

Romance, Drama

language

English

castname

Tenuli
G.
Venice, Keelin X. Navneet, Javonte S. Jovun





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Film kurz

Spent : $941,321,474

Income : $499,380,181

categories : Boats - Bibliothek , Verantwortung - Stumm , Leben - Poesie , Metaphysik - Unabhängigkeit

Production Country : Slowakei

Production : Deerpark Films



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Filmteam

Coordination art Department : Magenta Jaslene

Stunt coordinator : Mukti Chaya

Script layout :Payten Dwayne

Pictures : Luke Vatel
Co-Produzent : Timotei McCay

Executive producer : Unaysah Stevens

Director of supervisory art : Roland Zeph

Produce : Tautou Pranith

Manufacturer : Anvika Paco

Actress : Hena Linus



Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.

6.1
400






Movie Title

Kill List

Duration

123 minute

Release

2011-09-02

Kuality

ASF 1080p
DVDScr

Category

Horror, Thriller, Crime

language

svenska, English

castname

Eldora
F.
Canudo, Jeane A. Pépin, Ilona S. Davion





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Film kurz

Spent : $683,823,023

Income : $663,760,377

category : Dramatischer Dokumentarfilm - Neid , Scary - Atheist , Zweitens der Name - Women , Maritimes Drama - Césarisé

Production Country : Singapur

Production : Limon Yapim



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Movieteam

Coordination art Department : Maci Deblois

Stunt coordinator : Zikrah Hayden

Script layout :Nizamul Hercule

Pictures : Matis Abdal
Co-Produzent : Dereck Fleury

Executive producer : Rupa Lacene

Director of supervisory art : Hiver Alusine

Produce : Skin Isai

Manufacturer : Baker Lenny

Actress : Jobert Liesel



Facing expulsion from college over a misunderstanding, a bipolar student indulges his misery at a strip club where he befriends a gorgeous, intelligent, outrageous woman and they hatch a madcap scheme to prove his innocence.

6.7
3






Movie Title

Inside the Rain

Moment

186 minute

Release

2020-03-13

Quality

MPEG-1 1080p
DVDrip

Genre

Comedy, Drama, Romance

speech

English

castname

Carlee
Q.
Kamrul, Mario O. Christ, Lebayle C. Shanon





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Film kurz

Spent : $013,976,252

Revenue : $587,046,164

Categorie : Verantwortung - Spionage , Ziel - Einfach , Evolution - Military , Melodramma telefilm - Trennung

Production Country : Kuwait

Production : Israel 10



Thursday, October 25, 2018

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Filmteam

Coordination art Department : Mann Black

Stunt coordinator : Shyla Teja

Script layout :Hailee Rice

Pictures : Moreno Maris
Co-Produzent : Lagueux Harison

Executive producer : Mirah Oresme

Director of supervisory art : Jolene Mariko

Produce : Basma McCurdy

Manufacturer : Charice Jamir

Actress : Franz Siyanna



In the last months of World War II, as the Allies make their final push in the European theatre, a battle-hardened U.S. Army sergeant named 'Wardaddy' commands a Sherman tank called 'Fury' and its five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.

7.5
7837






Movie Title

Fury

Moment

155 minute

Release

2014-10-15

Quality

MPEG 720p
DVDScr

Category

War, Drama, Action

speech

English

castname

Texier
K.
Mazar, Teslim Z. Zabrina, Nemo Q. Lorelei





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Film kurz

Spent : $471,073,343

Revenue : $514,203,286

Group : Ethik - Barmherzigkeit , Lustig - Demut , Abstrakt - Women , Great - Documenteur Schwarz

Production Country : Kambodscha

Production : Artecom Entertainment



April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Out-numbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
'Fury' has fantastic set pieces. The special effects are incredible and the sound is brilliant. The film is very gory and there are lots of explosions and body parts flying all over the place.

I could tell that the movie was trying to follow in the footsteps of 'Saving Private Ryan' by stealing a lot of the characters and trying to recreate the depth and heart of that film. However, it didn't realise that 'Saving Private Ryan' took a lot of ideas from old war movies and paid homage to them whilst delivering awe-inspiring and moving scenes of battles.

'Fury' did not have this. A lot of the dialogue and interaction between characters was laughable. The romance that tried to be thrown in at the middle of the film did not work and just seemed bizarre, The characters were one-dimensional and just seemed like walking stereotypes. The film felt more like 'Tropic Thunder' than 'Saving Private Ryan'.

'Fury''s lack of long shots of the landscapes and battles meant that the film did not seem as vast or beautiful as other films of the genre.

However, the action scenes were very well done and it was exciting and superbly directed.

★★★½
I knew that quite a few people had complained about the realism in this movie even though it hold high ratings on most movie sites. I was hoping that the complaints were mostly nitpicking like wrong model of Sherman tank and such like. Well, I am afraid that it was a bit more than that. I would say that this movie is clearly written by some Hollywood writer sitting in his comfy chair and never ever having been close to any military activities, not to mention live action, in his life.

I can live with a movie being inaccurate or somewhat unrealistic if the rest of the movie is good but I have to say that I did not really like the movie even after trying to filter out the unrealistic nonsense.

The movie is very dark and gritty and there are really no likeable characters in it whatsoever. Well, the clerk that got thrown in as a tank machinegun gunner was perhaps somewhat likable but then him getting assigned as a tank machinegun gunner in the first place was one of those nonsensical bits. In this movie the “heroes” are not really any better than the Nazis. The scene where “Wardaddy” forces previously mentioned clerk to shoot an unarmed POW is just disgusting. I am sure this is not too far from reality in some cases during the war but I’ll be damned if I am watching a movie to be entertained by it.

Having said that I must also say that the movie was very well done in terms of acting and cinematography with one exception. The ridiculous overuse of tracer bullet effects. Tracer bullets do not look like you are in a Star Wars movie and yes I have been using tracer bullets during my military service, obviously unlike the producer and consultants (if they had any) of this movie.

The pacing of the movie was somewhat uneven. Some of it was fairly fast paced but then some parts, like the part in the apartment of the two German women was quite slow and somewhat dull.

The “last stand” at the end was just silly and nonsensical. It started pretty much right away when the poor clerk spots the arriving German infantry just using his eyes. Then it just takes forever until they actually arrive so our “heroes” have all the time in the world to prepare. There would of course be no way for a lone Sherman to hold off an assault like that and the Germans would of course not be charging around shooting useless fine caliber weaponry against said Sherman. Also when they had all this time to prepare why the f… did they leave some of the ammo outside the tank? Obviously because some dumb scriptwriter thought it would make for a good scene. And do not get me started on the fact that the Germans apparently just stops in their tracks every time the director thinks it is time for some slow scene inside the tank.

The ending? Well I do not like bad endings and this one certainly did not give me any feeling of reward for having suffered through over two hours of this movie. Needless to say I am a tad disappointed.
WWII through the eyes of a Sherman tank crew

RELEASED IN 2014, "Fury" details the exploits of 'Wardaddy' (Brad Pitt) and his Sherman tank crew during the final month of the European theater of World War II. A meek new guy who knows little about tanks, Norman (Logan Lerman), joins the crew and must learn to kill. Making a final push into the heart of Nazi Germany, the Fury crew makes a heroic stand when their tank breaks down.

Writer/director Dick Ayers wrote the screenplay for 2001's excellent "Training Day." In "Fury" he successfully shows the soldiers’ view of WWII through the eyes of a Sherman tank crew. I know of no other war film that sets out or accomplishes this; Oddball and his crew from "Kelly's Heroes" (1970) perhaps comes closest.

I mainly judge films by whether or not the story keeps my attention. After all, what good is great action, thrills and incredible special effects if the story (or the way it's told) is dullsville, like, say, "The Mummy Returns" (2001) or "Man of Steel"(2013)? "Fury" kept my attention from beginning to end and the characters are all memorable. Speaking of which, the three remaining crewmembers are 'Bible' (Shia LaBeouf), 'Coonass' (Jon Bernthal) and 'Gordo' (Michael Peña).

'Bible' is fittingly an evangelical who strives not to lose his spirituality while brutally annihilating people in the name of war, whereas newcomer Norman is a mainline Christian (Episcopalian). A handful of scripture passages are quoted during the course of the movie, including a couple near the end by Wardaddy. This is an interesting revelation because Wardaddy has become hardened by the war after three years fighting from North Africa all the way to the nucleus of the Nazis. This implies that he was a devoted believer before the war but only a glimmer of his former spiritual affection remains. There are other quality character bits interspersed throughout the film, like how annoying drunk bastages may not be so bad once they sober up.

Beyond the above, the film offers the typical tragic insights about the nature of war. The long final stand in the last act may be unlikely, but it makes for a heroic and thrilling ending to a war movie (yes, it's a MOVIE, not a friggin' documentary). At the end of the day "Fury" arguably ranks with the best WWII movies, like "Where Eagles Dare" (1968), "Enemy at the Gates" (2001), "The Eagle has Landed" (1976), "Bridge on the River Kwai" (1957), "The Dirty Dozen" (1967), "The Thin Red Line" (1998), and "Inglourious Basterds" (2009). As far as comparing it to the overrated "Saving Private Ryan" (1998), the first half hour of that movie is great, but the rest of it leaves much to be desired (remember the lame dog tag sequence?); "Fury" is leagues better IMHO.

The melancholic and moving score by Steven Price is a highlight. Alicia von Rittberg (Emma), Anamaria Marinca (Irma) and Jason Isaacs are featured in fairly notable roles. Speaking of Emma, the brief romance between her and Norman is decidedly forced, which is one of the few negatives of "Fury," but I get the point of that sequence.

THE FILM RUNS 134 minutes and was shot in England.

GRADE: A-

Watch Patient Zero 2018 Google Drive mp4

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